blinds to replaced
static dirt buns and
a lost parakeet did
and sequind bras
discarded on pikes
were heads of you
lay all night before
cops turned up with
cameras and hateful––
anyway musculatures
are defining the min.
requirements and we
with our softness are
on waiting lists now
if only could click fingers
loud or wolf whistle
with conviction and not
so boarishly
dismantling this now frames
where elbow hinges no longer requirement
of socialnecessity
CRIMES OF THUS heavy breathing and fog
hides the intention
and several magistrates observed
this delinquent sacrifice
these superfluous chimes and cogs and
cuttings [wood cuttings for equal uselessness]
and the crowds of us observed
and the crowds of us passed down
a creed a dialogue for transcript word for word
from which nobody strays
a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a reminder that we are not welcome here a Leech Ewe Mourn a Leech Women Rue Crewel Hoe Menu Wench Leer Cowmen Heel Ecru Wheel Creole Eh Eh Eh Eh Lech Men Owe Rue Echo Rule a NEW OCHRE EEL for you
a skin a stain
a skin a sin
of grandmothers
before me a skin
a place to display
the sins of present
a skin a way to
separate the ecru
from the
sinopia from the
deerskin
a skin a – pology
a skin a punishment
of pigmentation
a skin that is
a liquid dirt
this liver liver FLESH opposite in combat.
for thick skin a crime.
that is the deviance
bottled for convenient pleasures only.
My town’s devilry in broken cranes and windows smashed
and i will explain to you
that my hearts are knife-edged
after one month of fucking or
after three years
of talking and fucking
and sucking.
the liver wins but surrenders
afterwards to nobody in particular.
these philly fingernails
i glance at, sometimes with loving proustic tenderness but sometimes
instead with the qualms of someone who is still battling
with her breasts as symbol of socially accepted sexuality vs who she am
on the inside.
these philly fingernails
are black and white but i am neither
black nor white so they are not me
i do not see myself
in them they do not represent me
in them so how
can i wear such
treacherous nails
?!
this morning the hornsby line
this morning the urge
to avoid lilac in my life
this morning the fear
of betraying
my comrades
[as not-breastfeeding-mother¬-mother no doubt]
of betraying
my comrades
with my red crayon lipstick.
METROPOLITAN MUSEUM OF ART
JOSEPH MALLORD WILLIAM TURNER GUSTAVE COURBET ALBERT BARTHOLME EDOUARD MANET EDGAR DEGAS HENRI DE TOULOUSE-LAUTREC CLAUDE MONET CAMILLE PISSARRO VENCENT VAN GOGH PAUL CEZANNE CAMILLE COROT EDGAR DEGAS AUGUSTE RENOIR PABLO PICASSO JACQUES LAIS DAVID ANTOINE LAURENT [ATTRIBUTED TO] FRANCISCO DE GOYA GIOVANNI BATTISTA TIPEOLO JACOB VAN RUISDAEL REMBRANDT HENDRICK TER BRUGGHEN JACOPO BASSANO [ATTRIBUTED TO] PARMIGIANINO CORREGGIO CARAVAGGIO
MUSEUM OF MODERN ART
HENRI ROUSSEAU PABLO PICASSO DIEGO RIVERA GEORGES BRAQUE CARLO CARRA GINO SVERIN EDVARD MUNCH HENRI MATISSE AMADEO MODIGLIANI GIORGIO DE CHIRICO PIET MONDRIAN PAUL KLEE MAX ERNST ANDRE BRETON FRIDA KAHLO BRUCE NAUMAN WILFREDO LAM JACKSON POLLOCK MARCEL BROODTHAERS AGNES MARTIN JOAN MITCHELL JUAN GRIS JOAN MIRO MANOLO MILLARES
FUKUSHIMA HIDEKO MURUKAMI SABURO TONE YASUNA AKESAGAWA GENPEI ALEKANDR RODCHENKO ED LISSITZKY GERMAINE KRULL GRETE STERN
NATIONAL GALLERY OF ART
SHORTER-LAZIER HENDRICK WILLEM MESDAG AUGUSTE RENOIR GUSTAVE COURBET AUGUSTE RODIN
PHILADELPHIA MUSEUM OF ART
THOMAS COUTURE EDGAR DEGAS EDOUARD MANET JEAN-BAPTISTE-CAMILLE COROT CAMILLE PISSARRO EUGENE-LOUIS BOUDIN THEODORE ROUSSEAUU HIPPOLYTE FERRAT JOHN ATKINSON GRIMSHAW JASPER JOHNS JOHN CAGE MARCEL DUCHAMP MERCE CUNNINGHAM ROBERT RAUSCHENBERG
&MORE&MORE&MORE
The soldiers put on a woman’s hair is a dead life. And wooden swords were then forced to drink them windup!
Plug it into the womb of iron rods, the officer had to die.
Tattoos have been inscribed throughout the whole body.
Numerous needles stuck his tongue into its back because it was too difficult, and there are still totally beats did that.
And pregnancy. ‘Yet I think that having written’ the womb Ripper for a fetus.
When will the tears come up with the old thinking alone.
Then another 15 people uninsured women hand in hand for a woman killed as an example.
Naked and grab the head and foot soldiers long women nails embedded planks on top of the cave.
Like a fountain of blood and seared was tattered in the nail plate.
what the people would be.
what the people would be if instead of gesticulations, shrieks. we squeal.
the terror of obedience.
adaptive-protective, create response.
what the people would be were we not dripping teats.
(a fordian slip.)
& crushing migrant voices;
the news travels fast.
Delphyism blossoming or maybe burgeoning.
hack the bone & expose your inner ugly.
what, which, people cannot gain access to bonesaws.
what people, which are terrorist cells, swallow avocado grenades for luscious skin.
the terror of invisibility: you cannot un-visible yourself.
full disclosure: i am ugly.